GaramondShown hereAdobe Garamond Pro (based on the original Garamond)Garamond is the name given to many, after the name of the 16th-century.Some unique characteristics in his letters are the small bowl of the a and eye of the e. Long extenders and top serifs have a downward slope.
Like all old-style designs, variation in stroke width is restrained in a way that resembles handwriting, creating a design that seems organic and unadorned. Garamond typefaces are popular and often used, particularly for printing body text and books. 1 2Many Garamond revivals are more closely related to the work of a later punch-cutter, or incorporate designs created. Among contemporary typefaces, the versions of Garamond, and Garamond are directly based on Garamond’s work. Modern Garamond revivals also often create matching designs, which did not exist in Garamond's time.
3 The most common digital release of Garamond is, bundled with many products. Contents. History 1. Original type 1.1. Jean Jannon misattribution 1.2.
Contemporary versions 2. Based on Garamond's design 2.1. Adobe Garamond 2.1.1. Garamond Premier 2.1.2. Stempel Garamond 2.1.3. Sabon 2.1.4. EB Garamond 2.1.5.
URW Garamond No. 8 2.1.6. Based on Jannon's design 2.2. Garamond 3 2.2.1. Monotype Garamond 2.2.2. ITC Garamond 2.2.3. Related fonts 2.3.
Cormorant 2.3.1. Classiq 2.3.2. Aragon Sans 2.3.3. Printer ink usage 3. In popular culture 4.
Notes 5. References 6. External links 7History. Various examples of typefaces using the name ‘Garamond’. The topmost sample (Monotype Garamond), as well as those for Garamond 3 and ITC Garamond, are actually based on the work of Jean Jannon – note the steep, concave upper serif of ‘n’, and the slightly more irregular proportions.In 1825, the French National Printing Office adapted the type used by Royal Printing Office in the past, and claimed the type as the work of Claude Garamond.Several revivals were produced in the early 20th century. 1 However, in a 1926 paper published on the British typography journal, revealed that many of the revivals said to be based on Claude Garamond’s designs actually followed Jean Jannon's designs.
Nevertheless the Garamond name had stuck.Typefaces derived from Jannon's design include Monotype Garamond, Simoncini Garamond, LTC Garamont, and Linotype Garamond 3. This grouping also includes a version called ITC Garamond, designed by Tony Stan (1917–1988) of the and released in 1977. It was initially intended to serve as a display version accompanying existing typefaces, and is considered by some to be only loosely based on Garamond and Jannon's designs.Jannon-derived types are most immediately recognizable by the lowercase a, which has a long upper hook that extends slightly past the edge of the bowl; the bowl itself is smaller and more downward-pointing than those of Garamond. Other differences include the triangular serifs on the stems of such characters as m, n and r, which are more steeply inclined and concave in Jannon's design than in Garamond's.Revivals based on Garamond's original face include Adobe Garamond and Garamond Premier (both designed by Sabon (designed by ).Contemporary versions Based on Garamond's design Adobe GaramondReleased in 1989, Adobe Garamond is designed by for, based on the Roman types of Garamond and the Italic types of. 7 The font family contains regular, semibold, and bold weights and was developed through viewing fifteenth-century equipment at the. Its quite even, mature design attracted attention on release for its authenticity to Garamond's work, a contrast to the much more aggressive ITC Garamond popular at the time. 8 The version of the font family was released in 2000 as Adobe Garamond Pro, with enhanced support for its alternate glyphs such as swashes, and is sold through Adobe's system.
It is one of the most popular versions of Garamond in books and fine printing. 9 Garamond PremierSlimbach started planning for a second interpretation of Garamond after visiting the in 1988, during the production of Adobe Garamond. It was released in 2005 as Garamond Premier Pro, in a range of, each designed in four weights (regular, medium, semibold and bold, with an additional light weight for display sizes) using the OpenType font format. It features glyph coverage for Central European, and characters. 10 11 Stempel GaramondA hot-metal period adaptation created by the in the interwar period, and released through Linotype in other countries, that has remained popular. A sharp, somewhat angular design, it has relatively short descenders, allowing it to be particularly tightly linespaced. 12 1 An unusual feature is the digit 0, which has reversed contrast.SabonSabon is a Garamond revival designed by in 1964, jointly released by, and in 1967.
13 It is named after, who introduced Garamond's types to German printing. A distinguishing feature of Sabon is that the italic is wider than most normal italics, at the same width as the roman style.
The open-source EB Garamond font, designed by Georg Duffner, showing the range of styles and.EB GaramondReleased in 2011 by Georg Duffner, EB Garamond is a version of Garamond released under the and available through. Duffner based the design on a specimen printed by Egelnoff-Berner in 1592, with italic and Greek characters based on 's work, as well as the addition of Cyrillic characters and OpenType features such as swashes. 14 It is intended to include multiple, as of 2014 including fonts based on the 8 and 12 point forms on the 1592 specimen. It has been described as 'one of the best open source fonts' by prominent typeface designer. 15 No bold weight has yet been released.URW Garamond No. 8Garamond No.
8 is a freeware version of Garamond contributed by to the project under the, based on Stempel Garamond. Featuring a bold weight, small capitals, optional and automatic ligature insertion, it is particularly popular in the community and is also included on some distributions. Originally released as a PostScript Type 1, it has been converted into the TrueType format, usable by most current software.
16 Based on Jannon's design Garamond 3This 1936 version was created by and and named to distinguish it from an earlier version created by Benton and; it was licensed to and marketed. 17 18 It was the style of Garamond preferred by prominent designer. 19 A variant is used. 20 Monotype Garamond's 1922 design, based on Jannon's work, is bundled with many Microsoft products. 21 It features an extremely calligraphic italic, with a very variable angle of slant and swashes on many lower-case letters. 22 Its commercial release is much more extensive than that bundled with Microsoft products, featuring additional features such as swash caps and small capitals, although like many pre-digital fonts these are only included in the regular weight.
Popular in the metal type era, its digitisation has been criticised for being too light, a feature of many Monotype digitisations of the period, making it less well suited to body text. 23 24 25 ITC GaramondGaramond was created by Tony Stan in 1975, and follows ITC's house style of unusually high, giving it a somewhat hectoring appearance. As a result, it has proven somewhat controversial among designers for its perceived clumsiness and inauthenticity; it is generally considered unsuitable for body text. 26 It was nevertheless adopted as a signature typeface for 's books until switching to in the mid-2000s.
It is still used by French publisher. As seen below, it was also modified into Apple Garamond which served as Apple's corporate font from 1984 until replacement with in 2002. It remains the corporate font of the system in printed text. 27 Related fonts. As one of the most popular typefaces in history, a number of designs have been created that parody or distort Garamond, or convert its letterforms into a sans-serif design.CormorantAn extremely slender open-source adaptation of Garamond intended for display sizes, designed by astrophysicist Christian Thalmann. 28 29 It features unusual alternate designs such as an upright italic and unicase styles.
28 It was co-released with Google Fonts.ClassiqClassiq is a sans-serif font designed by Yamaoka Yasuhiro, based on Garamond's structure and shape together with influences from Jannon and Granjon's designs. Its design includes six weights from light to heavy together with strongly cursive italic designs. Released in 2002 through the designer's type foundry YOFonts, it is a but not font.
30 31 Aragon SansDesigned by Hans van Maanen and a released by Canada Type, Aragon Sans is a sans-serif derivative of his previous serif design Aragon, creating a. 32 Printer ink usage.
A + i ligature in a Garamond font.It has been claimed that Garamond uses much less ink than inkjet printers. 33 34However, this claim has been criticised as a mis-interpretation of how typefaces are actually measured., the version bundled with, has shorter characters at the same point size compared to Times New Roman and quite spindly strokes, giving it a more elegant but less readable appearance. To make lower-case letters as high as in an equivalent setting of Times New Roman, the text size must be increased, counterbalancing the effect. Thomas Phinney, an expert on font design, noted that the effect of simply swapping Garamond in would be compromised legibility: 'any of those changes, swapping to a font that sets smaller at the same nominal point size, or actually reducing the point size, or picking a thinner typeface, will reduce the legibility of the text.
That seems like a bad idea, as the percentage of Americans with poor eyesight is skyrocketing.' 35 Nonetheless, Garamond, along with and, has been identified by the as a 'toner-efficient' font. 36 In popular culture. Estienne's 1550 edition of the was typeset with Garamond's grecs du roi. 37 Few modern Garamond releases have attempted to replicate this fluid style that attempts to approach handwriting.In 's novel, the protagonists work for a pair of related publishing companies, Garamond and, both owned by a Mister Garamond.Garamond is the name of a character in the game. He appears in the world of Flopside (the mirror-image of Flipside, where the game begins).
He is a prolific and highly successful author, unlike his Flipside counterpart, (a probable recognition of the relative suitability of the two fonts for use in book typesetting).The large picture books of are set in a version of Garamond.In 1988 British newspaper redesigned its masthead to incorporate 'The' in Garamond and 'Guardian' in bold. This led to a repopularising of Garamond in the UK.uses it in their scientific PDF documents. 38.The Everyman's Library publication of ' The is set in twelve-point Garamond.A was adopted by in 1984 upon the release of the. For branding and marketing the new Macintosh family of products, Apple's designers used the ITC Garamond Light and Book weights and digitally condensed them twenty percent. The result was not as compressed as ITC Garamond Light Condensed or ITC Garamond Book Condensed.
Not being a multiple master font, stroke contrast in some characters was too light, and some of the interior counters appeared awkward. To address these problems, Apple commissioned and to develop a variant for their proprietary use that was similar in width and feeling, but addressed the digitally condensed version’s shortcomings.
Designers at Bitstream produced a unique digital variant, condensed approximately twenty percent, and worked with Apple to make the face more distinct. Following this, Chuck Rowe hinted the TrueTypes. The fonts delivered to Apple were known as Apple Garamond. 39.One of the initial goals of the literary journal was to use only a single font: Garamond 3. The editor of the journal, has stated that it is his favorite font, 'because it looked good in so many permutations—italics, small caps, all caps, tracked out, justified or not.'
40.Many books are set in ITC Garamond Light.The logo of clothing company uses a variation of the Garamond typeface.Garamond text is used on 1985 video game consoles in italic form (after the text ' or NES) to describe the various version of the consoles.In Robin Sloan's novel 'Mr. Penumbra'a 24-Hour Bookstore: A Novel', Claude Garamont is fictionalized as Griffo Gerritszoon. The main character's name, Clay Jannon, as well as many other character names derive from historical figures associated with the Garamond typeface. ^ a b c 'Illuminating Letters: Garamond' (PDF). Retrieved 14 October 2015. ^ 'Review of Classic Serif Typefaces'. ^ Haley, Allan.
'Bold type in text'. Retrieved 11 August 2015. ^ Phinney, Thomas (28 March 2014). 'Saving $400M printing cost from font change? Not Exactly'. Retrieved 31 March 2014. ^ 'Claude Garamond'.
Retrieved 3 March 2014. ^ 'Garamond & the Boys'. ^ 'Adobe Garamond Pro specimen book' (PDF). Adobe Systems. Retrieved 9 March 2014.
^ Riggs, Tamye. 'Stone, Slimbach, and Twombly launch the first Originals'.
Typekit blog. Retrieved 4 July 2015. ^ Coles, Stephen. 'Top Ten Typefaces Used by Book Design Winners'. Retrieved 2 July 2015. ^ 'Adobe - Fonts: Garamond Premier Pro'. Adobe Systems.
Retrieved 9 March 2014. ^ Phinney, Thomas. 'Comments on Garamond Premier Pro'. Typophile (discussion thread). Retrieved 9 January 2015. ^ 'Stempel Garamond'.
Retrieved 9 October 2015. ^ Berry, John D. 'The Next Sabon'. Creative Pro. Retrieved 9 October 2015. ^ Duffner, Georg. 'EB Garamond specimen'.
Retrieved 19 September 2015. ^ Spiekermann, Erik.
'Twitter post'. Retrieved 12 February 2015.
^ Hosny, Khaled. 'URW Garamond ttf conversions'. Retrieved 18 August 2015. ^ Shaw, Paul.
'The Mystery of Garamond no. Retrieved 26 July 2015.
^ Shaw, Paul. 'More on Garamond no. 3 (and some notes on Gutenberg)'. Retrieved 26 July 2015. ^ Bierut, Michael.
'Thirteen Ways of Looking at a Typeface'. Design Observer. Retrieved 12 February 2015. ^ Schwartz, Christian. Retrieved 16 July 2015.
^ 'Garamond'. Retrieved 4 July 2015. ^ 'Monotype Garamond'. Retrieved 4 July 2015.
^ Matteson, Steve. 'Type Q&A: Steve Matteson from Monotype'. Retrieved 4 July 2015. ^ Kobayashi, Akira.
'Akira Kobayashi on FF Clifford'. Retrieved 1 July 2015. ^ Hendel, Richard (1998).
On book design. New Haven u.a.: Yale Univ. P. 79. ^ Bierut, Michael.
'I Hate ITC Garamond'. Design Observer.
Retrieved 6 November 2014. ^ Grey, Marge. 'Serif Type Family: ITC Garamond'. California State University.
Retrieved 18 August 2015. ^ a b 'Cormorant'. Catharsis Fonts. Retrieved 19 August 2015. ^ Thalmann, Christian.
'Christian Thalmann fonts page'. Retrieved 19 August 2015. ^ Yasuhiro, Yamaoka. YOFonts. ^ 'Classiq specimen booklet' (PDF).
YOFonts. ^ 'Aragon Sans'. Canada Type/Monotype. ^ Stix, Madeleine (March 28, 2014).
Teen to gov't: change your typeface, save millions. CNN via KOCO-TV.
Retrieved March 28, 2014. ^ Agarwal, Amit (19 July 2012). 'Which Fonts Should You Use for Saving Printer Ink'. Digital Inspiration. Retrieved 29 March 2014. ^ Phinney, Thomas. 'Save $400M printing cost from font change?
Not so fast'. Phinney on Fonts.
Retrieved 2 August 2015. ^ 'Toner-Efficient Fonts Can Save Millions'. Department of the Navy.
8 March 2013. Archived from the original on 2014-12-04. ^ Valerie R.
Hotchkiss, Charles C. Ryrie (1998). 'Formatting the Word of God: An Exhibition at Bridwell Library'. ^ 'NVIDIA OpenCL JumpStart Guide' (PDF). Retrieved 7 October 2010. ^ ' 'ITC Garamond Font Family'.
Retrieved 2007-01-19. ^. ^ Sloan, Robin. 'Mister Penumbra's 24-hour bookstore. New York: Farrar, Straus and Giroux, 2012. Print.References.
Bringhurst, Robert (2012). The Elements of Typographic Style (4th ed.). Hartley & Marks.
Carter, Rob; Day, Ben; Meggs, Philip (1993). Typographic Design: Form and Communication (2nd ed.). Van Nostrand Reinhold. Lawson, Alexander S.
Garamond'. Loxley, Simon (2004). The Secret History of Letters.
Tauris. Updike, Daniel Berkeley (1980) 1937. Printing Types: Their History, Forms and Use. Dover.External links.Garamond at culture.fr.Just what makes a “Garamond” a Garamond?.Garamond v Garamond Physiology of a typeface.Illuminating Letters #1: Garamond.Garamond at Typophile. Garamond or Garamont?, Professor James Mosley.Monotype Garamond at Microsoft Typography.Adobe Garamond sample booklet.Garamond No 8.ATF Garamond poster.EB Garamond, a free variant under the Open Font License.EB Garamond download site. This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply.
World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov,.mil,.edu). Funding for USA.gov and content contributors is made possible from the U.S.
Congress, E-Government Act of 2002. Full Text Search Details. Christ’s Journal was set in Garamond type by Autograph Editions. The typeface is named after Claude Ga.type designer and publisher and the world’s first commercial typefounder. Garamond’s contribution to the history of typesetting was substantial.
He.re recognized as possessing a superior grace and clarity, so much so that Garamond’s fonts influenced European printing for the next cen- tury and a.rinting for the next cen- tury and a half. It is interesting to note that Garamond type is the evolutionary ancestor of the type used to print the f.laration of Independence. In the 1730s, Englishman William Caslon refined Garamond’s version of Aldine roman, the well-balanced typeface became popu.in. Despite his considerable contribution to the evolution of typography, Garamond was not a successful businessman and he died in poverty. During.he died in poverty.
During the past five centuries, so many variations of Garamond’s type designs have been created that the phrase ‘ Garamond type’. Full Text Search Details. Sappho’s Journal was set in Garamond type by Autograph Editions.
The typeface is named after Claude Ga.type designer and publisher and the world’s first commercial typefounder. Garamond’s contribution to the history of typesetting was substantial. He.re recognized as possessing a superior grace and clarity, so much so that Garamond’s fonts influenced European printing for the next cen- tury and a.rinting for the next cen- tury and a half. It is interesting to note that Garamond type is the evolutionary ancestor of the type used to print the f.laration of Independence. In the 1730s, Englishman William Caslon refined Garamond’s version of Aldine roman, the well-balanced typeface became popu.in. Despite his considerable contribution to the evolution of typography, Garamond was not a successful businessman and he died in poverty.
During.he died in poverty. During the past five centuries, so many variations of Garamond’s type designs have been created that the phrase ‘ Garamond type’. Full Text Search Details. Voices from the Past was set in Garamond type by Autograph Editions. The typeface is named after Claude Ga.type designer and publisher and the world’s first commercial typefounder. Garamond’s contribution to the history of typesetting was substantial.
He.re recognized as possessing a superior grace and clarity, so much so that Garamond’s fonts influenced European printing for the next cen- tury and a.rinting for the next cen- tury and a half. It is interesting to note that Garamond type is the evolutionary ancestor of the type used to print the f.laration of Independence. In the 1730s, Englishman William Caslon refined Garamond’s version of Aldine roman, the well-balanced typeface became popu.in. Despite his considerable contribution to the evolution of typography, Garamond was not a successful businessman and he died in poverty. During.he died in poverty. During the past five centuries, so many variations of Garamond’s type designs have been created that the phrase ‘ Garamond type’.
DescriptionMonotype Drawing Office 1922. This typeface is based on roman types cut by Jean Jannon in 1615. Jannon followed the designs of Claude Garamond which had been cut in the previous century. Garamond's types were, in turn, based on those used by Aldus Manutius in 1495 and cut by Francesco Griffo. The italic is based on types cut in France circa 1557 by Robert Granjon. Garamond is a beautiful typeface with an air of informality which looks good in a wide range of applications.
It works particularly well in books and lengthy text settings. LicenseNOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Typography and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype or together with software distributed by one of Monotype s licensees.This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own publishing use. LicenseP22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have.
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Itc Garamond Light Condensed Free
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Itc Garamond Light Condensed Soup
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All Rights Reserved. Helvetica is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.
This typeface is original artwork of Linotype Design Studio. The design may be protected in certain jurisdictions. DescriptionHelvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland.
In 1960 the name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been.
Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. Today, the original Helvetica family consists of 34 different font weights, and the Neue Helvetica family consists of 51 font weights. The Helvetica family now forms an integral part of many digital printers and operating systems and has become a stylistic anchor in our visual culture. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication. Helvetica World, an update to the classic Helvetica design using the OpenType font format, contains the following Microsoft code pages: 1252 Latin 1, 1250 Latin 2 Eastern, 1251 Cyrillic, 1253 Greek, 1254 Turk, 1255 Hebrew, 1256 Arabic, 1257 Windows Baltic, 1258 Windows Vietnamese, as well as a mixture of box drawing element glyphs and mathematical symbols & operators.
In total, each weight of Helvetica World contains more than 1850 different glyph characters! LicenseNOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418. LicenseEND USER LICENSE AGREEMENT This copy of APERACIUM (Font Family) (the Software Product) and accompanying documentation is licensed and not sold. This Software Product is protected by copyright laws and treaties, as well as laws and treaties related to other forms of intellectual property.
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You may not reproduce the database portion or create any tables or reports relating to the database portion. Restrictions on Copying You may not copy any part of the Software Product except to the extent that licensed use inherently demands the creation of a temporary copy stored in computer memory and not permanently affixed on storage medium. You may make one archival copy which must be stored on a medium other than a computer hard drive. Limited Software Product Warranty For a period of 10 days days from the date of shipment or from the date that you download the Software Product, as applicable, KD warrants that when properly installed and used under normal conditions, the Software Product will perform substantially as advertised. Disclaimer of Warranties and Limitation of Liability UNLESS OTHERWISE EXPLICITLY AGREED TO IN WRITING BY KD, KD MAKES NO OTHER WARRANTIES, EXPRESS OR IMPLIED, IN FACT OR IN LAW, INCLUDING, BUT NOT LIMITED TO, ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE OTHER THAN AS SET FORTH IN THIS AGREEMENT OR IN THE LIMITED WARRANTY DOCUMENTS PROVIDED WITH THE SOFTWARE PRODUCT. KD makes no warranty that the Software Product will meet your requirements or operate under your specific conditions of use. KD makes no warranty that operation of the Software Product will be secure, error free, or free from interruption.
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Limitation of Remedies and Damages Your remedy for a breach of this Agreement or of any warranty included in this Agreement is the correction or replacement of the Software Product. Selection of whether to correct or replace shall be solely at the discretion of KD. KD reserves the right to substitute a functionally equivalent copy of the Software Product as a replacement. If KD is unable to provide a replacement or substitute Software Product or corrections to the Software Product, your sole alternate remedy shall be a refund of the purchase price for the Software Product exclusive of any costs for shipping and handling. Any claim must be made within the applicable warranty period.
All warranties cover only defects arising under normal use and do not include malfunctions or failure resulting from misuse, abuse, neglect, alteration, problems with electrical power, acts of nature, unusual temperatures or humidity, improper installation, or damage determined by KD to have been caused by you. All limited warranties on the Software Product are granted only to you and are non-transferable. You agree to indemnify and hold KD harmless from all claims, judgments, liabilities, expenses, or costs arising from your breach of this Agreement and/or acts or omissions.
Governing Law, Jurisdiction and Costs This Agreement is governed by the laws of California, without regard to California's conflict or choice of law provisions. Severability If any provision of this Agreement shall be held to be invalid or unenforceable, the remainder of this Agreement shall remain in full force and effect. To the extent any express or implied restrictions are not permitted by applicable laws, these express or implied restrictions shall remain in force and effect to the maximum extent permitted by such applicable laws.
LicenseNOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418.